The majority
Luisa Mitchell
I. The In-Law
He spoke in a
self-
congratulatory tone
when he said
(through swilled beer)
of course
I’m voting yes
but
their side
of politics
have half-arsed this campaign
and it seems to me
do Aborigines
even want this
Voice thing-y?
Yes, well, (I start to say)
Amber spittle bursts
over my desire to please
For all I see
is that Liberal First Nations
poster-child-
what’s-her-name? smiling
and saying
colonisation
had
no
negative
consequences
for
their people
so, I must say
you can’t deny,
it’s been a bit
confusing,
hey?
II. The Artist
The artist was solemn and thoughtful and
going through a lot
right now
she carried a piteous
self-
righteous
look, downcast eyes
when she asked
so, what do you think about the Voice?
Yes Yes Yes (I say)
Yet she remained troubled
and had more to say like
it’s all so
confusing
sigh—
you see, I’m a two-tongued conduit
with this innate ability to speak to
both sides
and as a non - Indigenous Ally
we shouldn’t be voting on this at all
and furthermore
(voice and finger raised)
we should raze this so-called country
to the ground
start afresh
Treaty first, I say, or death
…
Right, I say, right
unfortunately, we need you
right now
though
(???)
Hmmmmmmmmmmm
she screws up her face
and leaves
content
she has listened to both sides
III. The Caretaker
Old man Grumpy
wheels his trolley in
the baking terracotta sun
ruler and custodian
of his block of thirty units
taken over by Indians
he barks out advice
freely and wholly undesired
as all
white men have done
since they can trace
their bloody lines
back four precious
ancient
generations
Grumpy lives in a paradise
existing only to him
Fair Go Utopia
where all are equal
except
tree-huggers and queue-jumpers
who should
go fuck themselves
Good morning, Grumpy (I start)—
This country is falling
apart he spits
thanks to
brown people
and the Labor Party
who wasted 2 billion dollars of good ratepayers
precious mining dollars
on an
Indigenous Voice to Parliament
but let me know
if you need anything
darl?
IV. The Minority
Our majority
is your minority
three per cent
we screamed
and the treetops
stirred
but the strollers below
went to the
beach
and bought
new cars
Not all grandpas are like
Grumpy
but I hear
Marcia
whisper
in
my ear
we’ll be waiting
two whole decades
before these
boomers
die out
I’ll be 50 and
brutally honest
before the majority
racists
ignorant
fuckers
have left this
earth
so
we
wait
and
we
wait
and
we
wait
Luisa Mitchell is a Broome-born author with Whadjuk Nyungar and European heritage, living and working as a writer, filmmaker and arts coordinator in Boorloo/Perth. Her poetry and prose have been published in Westerly (2023), Liquid Amber Press (2023), Kimberley Stories from Fremantle Press (2012), Portside Review (2021), and Under the Paving Stones, The Beach (2022). She was shortlisted for the Richelle Prize for Emerging Writers and won the Highly Commended Poem Prize from Liquid Amber Press in 2023. She is currently working on a historical fiction novel about colonisation and intergenerational trauma.