Short But Deadly

First Nations Flash Prize

Celebrating writing excellence, this special edition of Portside Review is dedicated to the small stories that pack a punch. The Short But Deadly competition ran over August-September 2024 and was open to Australian First Nations people living anywhere in the world. Ten winning stories were selected and are presented to you here. Paired with these stories is a collaborative poem developed by the First Nations Writers WA group hosted at Centre for Stories.

We are thankful to our judges Lilly Brown, John Morrissey, Mabel Gibson and our editors Casey Mulder and Luisa Mitchell for their deep respect and care with each individual story.

This edition of Portside Review is possible with thanks to the leadership of First Nations Writers WA and generous funding from Spinifex Foundation and Centre for Stories donors.

Illustration by Chris Wood.

Flash Prize Winners

  • We Are The River

    TYLER DEAKIN-THOMAS

    Lapping currents wash the sand brown. The surfaces reflect the fading sunset. A playground near a man-made lake, skirted by sculptures of yakan. Gum trees slowly wave in the warm winds.

  • Saltwater Tides

    SABRINA DUDGEON-SWIFT

    The burn across the inside of my left index finger turns bright red and shines with smoothness where the crease of hard skin used to be. I’ve been taught to let the line run through my hand before giving it a big yank back.  

  • styx: a series of diary entries

    RAELEE LANCASTER

    May 10, sunset burns the lake. sparks of flame amongst ash. further away: an exiting storm. a ghostly figure rests in the contours of the clouds. within it, i see eyes. mine. yours. ours. 

  • Badhii's Birthday

    VIVIENNE CLEVEN

    As a child, June would sit on the porch, sipping sweet black tea, listening to Badhii’s stories about the river and sometimes the British lot who arrived in town in the 1800s. 

  • Dust Devil Picnic

    DAN MITCHELL

    We have stopped somewhere in this great dusty plain. Family spills out of the Kombi – everyone is sweaty, thirsty and car sick. It has been two days driving…

  • Extinction’s Echo

    JASON HUNTER

    In the heart of Sydney, Australia, a fleet of alien spacecraft descends from the sky, their sleek forms casting long shadows over the iconic Opera House and Harbour Bridge.  

  • Footsteps

    KRISTY WESTON

    Mona checked the time and shit herself when she saw it was almost two forty-five in the morning. She quickly turned off her phone and pulled the blankets right over her head.

  • Fright Night in Freo

    VAUGHAN WAYNE

    I can still feel my heart pounding when I think about going over the old Fremantle traffic bridge, late at night.

  • Holding Every Colour

    SHARLEIGH CRITTENDEN

    I remember the steep slope of the road, the tilt of the car – parallel parked – and the worried feeling that the parking brake would fail, and the car would start to roll backwards. The lambswool seat covers. The sweat.  

  • A Peculiar Pet

    CINDY SOLONEC

    “We are really sorry,” the anxious teacher blubbered as Mum pushed her way through the surge of babbling kids, the laughing, screaming, pushing and running pounding in her ears.  

    What had he done now, Mum wondered?

djeran nostalgia 

Collaborative poem written by Tyler Deakin-Thomas, Kathryn Gledhill-Tucker, Kula-Lee McKeon, Luisa Mitchell and Casey Mulder 

I 

I find myself once again in shallow, murky waters 
marsh weed and chittering insects 
my feet push against soft mud of riverbank 
and I tip my head back to stare at the halo embracing the moon 
 

I heard stories about a haloed moon—it meant something 
—soon rain or past rain or near rain or near drought 
answers hide in deep marsh, murky water 
if only I knew how to read rivers or speak weather 
 

I would hum a poem of soft morning dew 
script of feathered rushes, chorus of flowing change 
unceasing, unending seasons would sing back memories 
of dragonflies’ beating wings, and I would remember 
 

—I do remember, though I fear I am forgotten, 
I never truly am, for this place is my fabric 
I am woven together by this moon 
by the flow of this water—I am 

II 

dust-covered menus that line the kitchen drawers 
cracked paper shards that splinter when—held 
prawn crackers, spring rolls, “call this number” 
the dial tone rings out forever 
 

blue and red fairy lights blind dazzle 
steeped in moon-glow our hands—grasp 
at false promises, sweet nothings 
and at the corner shop, my free will drifts out the window 
 

stolen sweaters once drenched in perfume lie hidden 
beneath pillows, beneath—dreams 
inside the grave of us 
dusty and derelict 
 

that one photo, the shrine in the hallway 
falls in the dead of night and—shatters 
the view from your windows 
the heavy clouds rolling in 
 

over the ocean 
a storm I dare to—remember 
this brick house will never 
contain me again and I 

III 

step out into auburn maple shade 
to find our legacy was  
tidy, reticulated lawns, golden sedans 
and tattooed men who drink too much 
 

blackened kettles 
neon lights 
getting caught 
silent dinners 
 

raised voices 
behind closed doors 
smiles you can’t 
believe anymore 
 

she sits and 
waits for the day 
he will understand 
her tears 
 

silence is rewarded 
silence for tears, broken promises 
lost ambitions, upturned smiles 
and empty lunchboxes 

IV

heavy with a ghost who crawls in spaces 
where air permeates but never reaches  
me and I cannot be reached 
not here, anyway 
 

I float high above the rocky ground 
hoping my feet bleed red against the earth 
there is no feeling of safety here 
only a disconnect to another world 
 

bones where my body would be 
form a brittle shield, sucking in air 
the once-skin taste echoes 
the yet-born feels falling 
 

I can see, but not be felt 
observe, and never be seen 
I am the grey concrete statue resting 
on the mantelpiece decaying photo in a frame 
 

my beating heart floats in space 
looking back at your closed gaze 
sickly sweet jasmine fills the space 
enveloped in a white haze 

V 

from stars in the deep blue 
come lilac clouds 
bubble-gum shoes 
 

sun shining lemon yellow 
reflecting purple waves 
glittering rain 
 

leaves flow in djeran winds 
singing old dances 
braiding spirits 
 

soft memories spin thread 
weaving amber, sapphire, rose 
entwined in breath 
 

breathe in, breathe out—our wisteria heaven  
the moist earth humming below  
oh, to feel it—her sweet turning grace 

Casey Mulder is a Ballardong Noongar yorga with Dutch and English heritage. She works in a variety of education roles, and is a freelance editor and writer. She facilitates the First Nations Write Night at the Centre for Stories with Luisa Mitchell, and is currently working on a creative non-fiction manuscript. Casey is also the First Nations editor for Westerly Magazine.

Luisa Mitchell is a Broome-born author with Whadjuk Nyungar and European heritage, working as an arts producer and writer in Boorloo/Perth. Her poetry and prose has been published in Westerly, Fremantle Press’ Kimberley Stories (2012), Portside ReviewLiquid Amber PressUnder the Paving Stones, The Beach (2022) and Into the Wetlands. In 2023 she won the Highly Commended Poet and Best Emerging Poet awards from Liquid Amber Press.

Tyler Deakin-Thomas is a 20-year-old ballardong noongar trans-masculine person. Tyler writes poetry that reflects their connection to boodjar and plant life on country. Their work towards becoming a caretaker of country deeply influences their poems. They also write about their experiences of person-hood, being queer and neurodivergent.

Kathryn Gledhill-Tucker is a Nyungar technologist, writer, and digital rights activist living on Whadjuk Noongar boodjar. They write poetry, science fiction, and occasionally essays to explore the history of technology and our relationship with machines.

Kula-Lee McKeon is a proud Nyul Nyul woman living and writing on Whadjuk Boodjar for almost a decade. Hailing from Broome, where she spent the majority of her life, Kula-lee writes from her experiences, her feelings and her truth. An avid reader in her youth, she harnesses her love of reading, words and her culture into writing and storytelling.

~~

A million thanks to our flash judges
Lilly Brown, Magabala Books CEO
Mabel Gibson, Night Parrot Press Board Member
John Morrissey, author

Special thanks to our flash editors
Casey Mulder
Luisa Mitchell