Short But Deadly
First Nations Flash Prize
Celebrating writing excellence, this special edition of Portside Review is dedicated to the small stories that pack a punch. The Short But Deadly competition ran over August-September 2024 and was open to Australian First Nations people living anywhere in the world. Ten winning stories were selected and are presented to you here. Paired with these stories is a collaborative poem developed by the First Nations Writers WA group hosted at Centre for Stories.
We are thankful to our judges Lilly Brown, John Morrissey, Mabel Gibson and our editors Casey Mulder and Luisa Mitchell for their deep respect and care with each individual story.
This edition of Portside Review is possible with thanks to the leadership of First Nations Writers WA and generous funding from Spinifex Foundation and Centre for Stories donors.
Illustration by Chris Wood.
Flash Prize Winners
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We Are The River
TYLER DEAKIN-THOMAS
Lapping currents wash the sand brown. The surfaces reflect the fading sunset. A playground near a man-made lake, skirted by sculptures of yakan. Gum trees slowly wave in the warm winds.
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Saltwater Tides
SABRINA DUDGEON-SWIFT
The burn across the inside of my left index finger turns bright red and shines with smoothness where the crease of hard skin used to be. I’ve been taught to let the line run through my hand before giving it a big yank back.
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styx: a series of diary entries
RAELEE LANCASTER
May 10, sunset burns the lake. sparks of flame amongst ash. further away: an exiting storm. a ghostly figure rests in the contours of the clouds. within it, i see eyes. mine. yours. ours.
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Badhii's Birthday
VIVIENNE CLEVEN
As a child, June would sit on the porch, sipping sweet black tea, listening to Badhii’s stories about the river and sometimes the British lot who arrived in town in the 1800s.
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Dust Devil Picnic
DAN MITCHELL
We have stopped somewhere in this great dusty plain. Family spills out of the Kombi – everyone is sweaty, thirsty and car sick. It has been two days driving…
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Extinction’s Echo
JASON HUNTER
In the heart of Sydney, Australia, a fleet of alien spacecraft descends from the sky, their sleek forms casting long shadows over the iconic Opera House and Harbour Bridge.
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Footsteps
KRISTY WESTON
Mona checked the time and shit herself when she saw it was almost two forty-five in the morning. She quickly turned off her phone and pulled the blankets right over her head.
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Fright Night in Freo
VAUGHAN WAYNE
I can still feel my heart pounding when I think about going over the old Fremantle traffic bridge, late at night.
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Holding Every Colour
SHARLEIGH CRITTENDEN
I remember the steep slope of the road, the tilt of the car – parallel parked – and the worried feeling that the parking brake would fail, and the car would start to roll backwards. The lambswool seat covers. The sweat.
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A Peculiar Pet
CINDY SOLONEC
“We are really sorry,” the anxious teacher blubbered as Mum pushed her way through the surge of babbling kids, the laughing, screaming, pushing and running pounding in her ears.
What had he done now, Mum wondered?
djeran nostalgia
Collaborative poem written by Tyler Deakin-Thomas, Kathryn Gledhill-Tucker, Kula-Lee McKeon, Luisa Mitchell and Casey Mulder
I
I find myself once again in shallow, murky waters
marsh weed and chittering insects
my feet push against soft mud of riverbank
and I tip my head back to stare at the halo embracing the moon
I heard stories about a haloed moon—it meant something
—soon rain or past rain or near rain or near drought
answers hide in deep marsh, murky water
if only I knew how to read rivers or speak weather
I would hum a poem of soft morning dew
script of feathered rushes, chorus of flowing change
unceasing, unending seasons would sing back memories
of dragonflies’ beating wings, and I would remember
—I do remember, though I fear I am forgotten,
I never truly am, for this place is my fabric
I am woven together by this moon
by the flow of this water—I am
II
dust-covered menus that line the kitchen drawers
cracked paper shards that splinter when—held
prawn crackers, spring rolls, “call this number”
the dial tone rings out forever
blue and red fairy lights blind dazzle
steeped in moon-glow our hands—grasp
at false promises, sweet nothings
and at the corner shop, my free will drifts out the window
stolen sweaters once drenched in perfume lie hidden
beneath pillows, beneath—dreams
inside the grave of us
dusty and derelict
that one photo, the shrine in the hallway
falls in the dead of night and—shatters
the view from your windows
the heavy clouds rolling in
over the ocean
a storm I dare to—remember
this brick house will never
contain me again and I
III
step out into auburn maple shade
to find our legacy was
tidy, reticulated lawns, golden sedans
and tattooed men who drink too much
blackened kettles
neon lights
getting caught
silent dinners
raised voices
behind closed doors
smiles you can’t
believe anymore
she sits and
waits for the day
he will understand
her tears
silence is rewarded
silence for tears, broken promises
lost ambitions, upturned smiles
and empty lunchboxes
IV
heavy with a ghost who crawls in spaces
where air permeates but never reaches
me and I cannot be reached
not here, anyway
I float high above the rocky ground
hoping my feet bleed red against the earth
there is no feeling of safety here
only a disconnect to another world
bones where my body would be
form a brittle shield, sucking in air
the once-skin taste echoes
the yet-born feels falling
I can see, but not be felt
observe, and never be seen
I am the grey concrete statue resting
on the mantelpiece decaying photo in a frame
my beating heart floats in space
looking back at your closed gaze
sickly sweet jasmine fills the space
enveloped in a white haze
V
from stars in the deep blue
come lilac clouds
bubble-gum shoes
sun shining lemon yellow
reflecting purple waves
glittering rain
leaves flow in djeran winds
singing old dances
braiding spirits
soft memories spin thread
weaving amber, sapphire, rose
entwined in breath
breathe in, breathe out—our wisteria heaven
the moist earth humming below
oh, to feel it—her sweet turning grace
Casey Mulder is a Ballardong Noongar yorga with Dutch and English heritage. She works in a variety of education roles, and is a freelance editor and writer. She facilitates the First Nations Write Night at the Centre for Stories with Luisa Mitchell, and is currently working on a creative non-fiction manuscript. Casey is also the First Nations editor for Westerly Magazine.
Luisa Mitchell is a Broome-born author with Whadjuk Nyungar and European heritage, working as an arts producer and writer in Boorloo/Perth. Her poetry and prose has been published in Westerly, Fremantle Press’ Kimberley Stories (2012), Portside Review, Liquid Amber Press, Under the Paving Stones, The Beach (2022) and Into the Wetlands. In 2023 she won the Highly Commended Poet and Best Emerging Poet awards from Liquid Amber Press.
Tyler Deakin-Thomas is a 20-year-old ballardong noongar trans-masculine person. Tyler writes poetry that reflects their connection to boodjar and plant life on country. Their work towards becoming a caretaker of country deeply influences their poems. They also write about their experiences of person-hood, being queer and neurodivergent.
Kathryn Gledhill-Tucker is a Nyungar technologist, writer, and digital rights activist living on Whadjuk Noongar boodjar. They write poetry, science fiction, and occasionally essays to explore the history of technology and our relationship with machines.
Kula-Lee McKeon is a proud Nyul Nyul woman living and writing on Whadjuk Boodjar for almost a decade. Hailing from Broome, where she spent the majority of her life, Kula-lee writes from her experiences, her feelings and her truth. An avid reader in her youth, she harnesses her love of reading, words and her culture into writing and storytelling.
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A million thanks to our flash judges
Lilly Brown, Magabala Books CEO
Mabel Gibson, Night Parrot Press Board Member
John Morrissey, author
Special thanks to our flash editors
Casey Mulder
Luisa Mitchell