The Language Lesson
Overall concept and design by Ray Langenbach
Performance concept, script, videography and editing by Ray Langenbach
Performances by Rachmat, Zainab Wahiddin, Ray Langenbach
Sound concept by Ray Langenbach
Sound Design and ‘inaudible’ ultrasound / infrasound composition by Andy Alias
Moving image concept and design by Brandon K. Liew
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A reconstruction of the original assemblage presented at Galeri Luar Pusat, Penang in 1989, The Language Lesson will be presented in See Me, See You: Early Video Installation of Southeast Asia, curated by Cheng Jia Yun & Clarissa Chikiamco, National Gallery of Singapore, opening 13 October 2023
Language lessons are ubiquitous global rites of passage that authorise and smooth acceptance into the local community of native speakers. Since verbal language is the primary medium for the purveyance of cultural values, language lessons are sites for the transmission of intrinsic knowledge and cultural doctrine. Learning to read, write, speak and decode facilitates entry into the social habitus – the prevailing beliefs, myths, and history of a people, their prevailing ideologies and episteme. While most language lessons stick to acceptable and ubiquitous speech-acts, carefully avoiding contentious topics, this “language lesson,” spoken by a Malaysian woman and man and an American man, begins with stereotypical and anodyne topics and veers into the dialectics of identity, class, sexuality, race, religion, war, crime, atrocities, and responsibility.
The language lesson presented in this journal is a conventional linguistic ritual, spoken in the human auditory frequency range, but is accompanied by another infrasound/ultrasound composition that is audible to certain other species and specialised audio technology, while inaudible to humans.
Ray Langenbach 2023
Ray Langenbach creates conceptual performances and video art works, convenes gatherings, writes on cultural theory, performance and queer culture. His video archive of SE Asian performance resides at Asia Art Archive, Hong Kong, the International Institute for Social History, Amsterdam, and various museums. He serves as the Star Foundation Professor of Artistic Research, Faculty of Creative Industries, Universiti Tunku Abdul Rahman . He has resided in Penang and Kuala Lumpur on and off since 1989.