Excerpt from ‘Spirit Nights’
Easterine Kire
The darkness continued. But after Tola’s dirge singing, it
was as though a cloud had been lifted from people’s minds.
They were still trapped inside their homes but they were making
the effort to think brightly. For the first time, a sense of
excitement had been generated at what they would find after
the darkness. In the past weeks, they had not dared think beyond
that, so desperate were they. But now there was a shift in the
atmosphere, and it was difficult not to feel the hope that Tola’s
song had resurrected in them.
Surely the end of the darkness would be like waking up
to the world on the day of the creator-deity when he was
seen crossing from mountain to mountain carrying the fierce
animals on his shoulders. They remembered being told how
their ancestor, newly born, had laughed and laughed at the
sight of the two elephants squirming and bellowing as the creator
held them in the crook of his arm and made his way into
the deep woods. Would things look the same or would they
find another earth in its place? Would they still find trees for
there had been no trees until he stubbed out holes in the first
earth and spat into them, and the Needlewood trees sprang
up first, but they were so swiftly overtaken by the native oaks,
so much so that the elephant grass had to stop their profligate
growth and allot them their rightful places. Surely everything
would look very different. It would certainly feel much
altered. Would they get the old sun back? Or would it be a
new sun? Like the first sun and the first moon that the creator
had moulded in the palm of his hand and flung into the dark,
formless skies?
Surely on the day the sun returned, they would all sing
together the song of the creator-deity that they were taught from
childhood, for everyone knew how to sing it:
Mountain maker
Mountain maker
It was your hand
Your mighty hand
That set down the mountains
Over the plainlands
Your mighty hand
That placed the rocks and trees
On the mountain slopes
And the short wild grass
Over the treeless heights
Mountain maker
Mountain maker
Fathering the skies
Mothering the rivers
And the fields in the valleys
Mountain maker mountain maker
We give you all glory
Shambulee Shambulee Shambulee.
It was a song sung by grown-ups, but the children loved to
join in at the refrain, their little voices calling out Shambulee,
Shambulee, long after the song was over.
They could all see for themselves that it had already begun.
Every now and then people checked what they had said. If a
complaint was voiced, the speaker was heard apologising a few
moments later. The inner darkness is being dispelled, Tola was heard
saying with a small smile. Though she never left the house, her
spirit could sense the repentance that was sweeping across the
village, house by house, soul by soul.
Early on in the dark time, the headman had started to beat
a gong every morning to announce a new day. It was used as
the signal to light the fire and prepare meals. As they entered
the third week, people became more cautious with their food
stores. Meals were cut down to one a day that they ate in the
afternoon hours. If they felt hungry after that, they snacked on
boiled lentils and maize. Most families had killed and eaten their
chickens as the dark time began. They now debated on whether
it was time to take out the food of war, millet. Some families
alternated millet with rice. This was a sort of war, after all, they
argued. Even if they were not being attacked by enemy warriors
with spears and daos, the constant onslaught of darkness and
spiritual warfare was fraught with tension not very different from
physical battles.
Their movements had become very restricted. It was a drastic
change from the active lives they had always led. No more
getting up early to get ready for the field. No back-breaking
digging and planting and weeding. No carrying back firewood
and pumpkins and tapioca, or any of the other vegetables they
had planted in their jhum fields. The leisurely life was so different
from what they had visualised it to be. They fretted to be
outdoors again. Their bodies groaned at the forced sedentary
life under their roofs. Their beloved homes had become their
prisons. But there was nothing to be done. They had to learn
the lesson of waiting. And they learned it best as they applied
themselves to waiting actively. It was as the seer of Mvüphri
had said, waiting must be accompanied by an attitude of seeking and
receiving wisdom. Although they were not fully aware of it, that
was what the people were beginning to do.
The biggest problem was the spirits.
Every village gate was protected against spirit entry by
spells cast by the seer. The more powerful the seer, the stronger
the gate. Namu’s village gate was almost powerless against spirits.
When Namu heard that spirits were roaming the spaces
between the houses and killing people, he was not shocked. In
his new position, he knew so much more. He hoped that it
would all end soon. It wasn’t easy to keep holding out against
the continuous battering that their faiths received. After Tola’s
dirge chanting day, they had heard no more of the melancholic
death melody. It meant that there had been no more deaths. It
was nothing short of a miracle.
Excerpted with permission from Spirit Nights by Easterine Kire (Simon & Schuster India, 2022)
Dr Easterine Kire is a poet, novelist, short story writer and a writer of children’s books. Her first novel, A Naga Village Remembered, was also the first Naga novel to be published in English. Her other novels include Son of the Thundercloud (winner of the Bal Sahitya Puraskar 2018 and the Tata Literature Live! Book of the Year Award 2017), Bitter Wormwood (short-listed for the Hindu Prize 2013) and When the River Sleeps (winner of the Hindu Prize 2015). In 2011, she was awarded the Governor’s Medal for Excellence in Naga literature.
Photo credit: Per Wollen