Talk Tower for Ingrid
Jonker (2012)
Ângela Ferreira
Talk Tower For Ingrid Jonker (2012) is a structure designed for broadcasting poetry, as homage to the South African poet Ingrid Jonker (1933-°©‐1965). The work is typical of Ferreira in the way that it combines her concerns with the material consequences of modernism and how those forms evolve and change as they travel through the world. The sculpture is one of a series of towers that Ferreira began in 2008. The starting point of his project was Gustav Klutsis’ multimedia agitprop kiosks, which were designed to display newspaper, film and project sound in revolutionary Russia. This reference intersects with the image of a rudimentary radio transmission tower in rural Mozambique. It also points to the crucial history of radio during the independence and liberation wars in Africa, such as Radio Freedom in South Africa.
The Towers have become vehicles for paying homage to literary authors. They do so through their sculptural presence while they enable the public broadcast of poetry. Talk Tower For Ingrid Jonker is a monument and tribute o he poet’s oeuvre and to her life. Jonker’s Poem ‘The Child is Not Dead’ (inspired by the death of a black child, shot dead by soldiers at Nyanga) was recited by Nelson Mandela during his address at the opening of the first democratic parliament in South Africa on 24 May 1994; a remarkable testament to the power of the Afrikaner poet.
In 1965, Jonker Went to the beach at Three Anchor Bay, In Cape Town, walked into the sea and committed suicide by drowning. Ferreira’s Structure was originally conceived to be a tower installed on the beachfront, approximately marking the spot where she tragically died. In the final version of the project, a photograph accompanies the sculpture, marking that now unmarked spot on the beach.
The Sculpture alludes directly to the form of the constructivist Shukhov Radio tower built in the early 1920s near Moscow.
Ângela Ferreira, born in 1958 in Maputo, Mozambique, grew up in South Africa and obtained her MFA from the Michaelis School of Fine Art, University of Cape Town. She lives and works in Lisbon, teaching Fine Art at Lisbon University, where she obtained her doctorate in 2016. Ferreira’s work is concerned with the ongoing impact of colonialism and post-colonialism on contemporary society, an investigation that is conducted throught in-depth research and distillation of ideias into concise and resonant forms. Her sculptural, sound and videographic homages have continuously referenced economic, political and cultural history of the African continent whilst recuperating the work and image of unexpected figures like Peter Blum, Carlos Cardoso, Ingrid Jonker, Jimi Hendrix, Jorge Ben Jor, Jorge dos Santos, Diego Rivera or Miriam Makeba.