Msunduzi and other poems
Sihle Ntuli
Msunduzi
this river is far too near to the person who came
so close to killing you. you should consider yourself
lucky to have lived despite a constant urge to plunge
yourself back even deeper beneath the water.
there is still a part of you yearning to
discover how deep the river goes whilst holding firm
in your belief that despite a loss of will
power the current is determined by ones own
presence of mind to withstand the rich allure
of temptation to not hold ones breath
for so long not realising you are on the verge of dying.
— —
Little Fingers
1.
a sermon treading softly, a breeze borne from wings. a sound of fluttering pages gliding through Genesis; sliding past Solomon, the gospel unravelling from his throat, an intensity of gathering winds, his hoarse voice coarse like steel-on-steel sound, a neck, a throat raw, a bellowing spirit inside of him.
2.
a childish game, seeking the degree of ucikicane’s bend. a surrealism of twins; a mysticism of our bond that no one could understand. a comparative study of palms in gogo’s garden, where I agree with you, your pinkie fingers bend slightly more than mine. summer sunshine overhead, dark clouds hovering, foreshadowing the impending arrival of rain.
3.
a search for a remedy to relieve his unrelenting sharp pain, a neck. a strong scent of imphepho burned, a voice that once gathered strong winds fallen into shadow, a quietening before a storm, the fleshy part of his palm holding his neck, a man of the cloth on reed mat, awaiting the revelation of bones.
4.
a wincing pastor holding his palm to his neck, our grandmother emerging from the courtyard, a slow revelation of diagnosis, a diagnosis that we could not understand, the bones of a sangoma prescribing a remedy inside of our little hands, our little palms, the bend in his pinkie fingers.
5.
a holding, twisting firmly & repeat, our palms on his neck. for his sake we did it gently, he implored us, forcefully, to pull with meaning, & so we did it, with the intention to break the neck, & so freed him, into a deep sleep, worried that we had killed him.
6.
a heavy silence until the pastor awoke, he said nothing to us, silenced by the remedy — healed by four tiny hands, the slight bend of pinkie fingers. his legs staggering towards the door, a heel song sound of shoes, disappearing into the rain.
— —
Closed for Prayers
of summer sun & flora,
the once cordial relationship of a Christian- Muslim community.
a source of nature’s sauna,
the feud had been brewing for quite some time.
large green leaf for a handmade breeze,
the commotion began just before midday.
in lieu of relief, a spread of heat,
the sliding doors of the store had remained closed.
a gentle discomfort,
the owners of the KwaMashu Pick n Pay had left for Jumu’ah.
a faithful movement of wrists,
the majority of the locals were Christian.
large green leaf at odds with humidity,
the small crowd waiting outside; flustered & anxious.
good intentions spread the heat,
the store-manager in isiZulu pleaded for calm.
source of a wildfire,
the man in isiZulu shouting back,“the Muslims have won this nation”.
summer rain left inside clouds,
the contagious anger spreading across their faces.
a wildfire engulfing the large green leaf,
the moment when I closed my eyes.
— —
Ghazal in the Wilderness
origin story of our ancestors running for their lives
our name emerges from this wilderness
amid congestion of flesh & bones of city sidewalks
an abandonment like being lost in the wilderness
industrial noise of drilling, a hole left in the earth
stench of wet road, rain fills the void, away from the wilderness
on spacelessness on yearning to leave the urban decay
on the need for room to breathe on crying in the solitude of the wilderness
graceful gazelle grazing in grasslands of Kwazulu
head towards the soil to feel nourishment in the wilderness
when positioning of the sun was once a way to measure time
because hands of time were so much gentler in the wilderness
sunset transitions from orange-purple-like sky in distance
eyes on the beauty of dusk, basking in wonders of the wilderness
my grandmother reincarnated as a praying mantis
cicada at night fall a call into her arms as I soften in the wilderness
— —
Die Swart Gevaar
after the events of the Phoenix Massacre
in the name of protection of property
the massacres left fresh wounds behind
on the news they said,
that Phoenix community groups had banded together
to protect themselves from the danger
while the danger prayed
in the name of Jesus
while the danger hoped
that the terror would stop,
for scapula bones to turn
to fully formed wings.
in the name of blind vultures
the lens-less drones
the unseeing bird
& there were no television cameras
during the wait for the soldiers to come
in the name of a justice deferred
& nobody knew
in which direction help would come from,
there was only the expectation
that help would eventually come
in the name of law & order
for a restoration of order
foe a much-needed closure of the open wound
left bleeding profusely.
& despite the dire need of Phoenix
all things tend to begin up north,
the soldiers first appeared in Johannesburg,
& by the time
the soldiers eventually arrived
Phoenix had already bled out
in the name of silence
& not much could be heard other than the firing of weapons,
one resident even said,
that to some of them
it all seemed…
“like a game & they were enjoying it”
in the name of die swart gevaar
& a truth of it all
is that echoes of a black danger have lived on,
under our troubled rainbow
of only two colours,
& together we once toiled
on sugarcane plantations of Illovo,
& based on the discrimination they once faced
as migrant labourers bought in from India
one would think that there would be a common understanding
of what it means to truly suffer.
in the name of self defence
& while they were shooting
danger in the back, after danger had turned around to run
the time had come to consider that perhaps
there was a now a new danger?
& one wonders if danger is the word they used to defend their actions
because how did they manage to get away with it?
even after all those lifeless black bodies in Phoenix
just lying there
on the side of the road
Sihle Ntuli is a poet from Durban, South Africa, and a recipient of the 2023 Johannesburg Institute for Advanced Studies Writing Fellowship for his poetry. He is the current Editor-In-Chief of New Contrast Literary Journal and has had work featured on leading journals and anthologies such as Years of Fire and Ash: South African Poems of Decolonialisation (Jonathan Ball Publishers 2021), The Johannesburg Review of Books, SAND Journal, ANMLY and ADDA magazine. He is the author of the poetry chapbooks Rumblin (uHlanga 2020) & The Nation (River Glass Books 2023). He has recently authored his second full-length collection Zabalaza Republic (Botsotso 2023).