Buddy scamtho and other poems
Mboneni Ike Muila
Buddy scamtho
Eers ek moet mense groet ka motswako
Scamtho wise..,we molo
abusheni halo
mangwanani
sanibonani thovhela
ri ya losha
hasalaam alaikum
malaikum salaam
welele ebukhosini bakhiwa
holasharphoezit moja
luister nou mjojo grend grend moja hierso tweede
matakadza mbilu; ndi nwana
matakadza mbilu ; ndi nwana
chu chu baby ; ndi nwana
chu chu baby ; ndi nwana
buddy scamtho
first and fore most I accept and thank you
for your invitation
with my most humble beginnings
buddy scamtho jam
nwana mme smoko
kasi prent shosholoza style
khoma switiya nwana mmani
spikiri hammer chisel foloza mkokoteli
dish dash pozi jinda warm ginsa laphasite
skokkende werk liyashisa emsawawa cowsin
i am into creative writing as a poet artist performer
my narrative oral mix is in eleven
languages spoken in south Africa
byenbye trapped in one poem
the so-called tsotsitaal isicamtho lingo alive...,
en kicking sense of humour in you en me
mixing of languages into a witty lingo
a language of identity
a language of an ordinary person in the street
a language of unity in diversity
matakadza mbilu ; ndi nwana
matakadza mbilu ; ndi nwana
chu chu baby ; ndi nwana
talk talk baby ; ndi nwana
cry cry baby ; ndi nwana
oh ; oh ; baby ; ndi nwana
matakadza mbilu ndi nwana
matakadza mbilu ndi nwana
a song matakadza mbilu is a folk song by
the malende dance culture which says what brings
happiness to the heart is a child
in my case
the ultimate child is
isicamtho
— —
Wounded lion of jutas
i am a wounded lion of jutas
no longer in possession
of his own personal en private belongings
i am a wounded mourning toothless lion of jutas
I am a wounded lion of jutas
In house number one lion of jutas en family
home place cabin open close den
because of mrs no nurse en her siblings
my personal en private belongings remain
locked up in a suitcase
cause once or twice many a times
my personal en private belongings were erased
stolen disappeared en destroyed
in my own home place open en close den
grrr..,humnhumn i am enough wena mavuma
zonke baas jan leburu le suleng
i have had enough of all these betrayals...,as for
the three window frames in my life span spin on
en a window frame battlers as they appear still
i am willing en able to repair them still
for the almighty owner heaven above
as for mrs no nurse en her siblings
should honour their home place cabin meter readings
electricity rates waste removal nogal weer as from now
on wayawaya or take her siblings en belongings
then vacate my own home place cabin open en close den
without any skelem chopper damage
to my personal en private belongings
yours relentless lion of jutas
— —
Stomach ulcer complications: Isabella Motadinyane (1963-2003)
on the day i received sad news of her sudden death in a
clinic/hospital orange farm i was shattered i felt stomach
butterflies running all over the show then i felt something
rising towards my throat and there i was speechless and
howling like a dog without its bone. isabella motadinyane
was born on the 17th feb. 1963 mofolo central and passed
away suffering from a death of speech in a hospital/clinic
orange farm on the 19th jan. 2003. she wrote a poem that
gave birth to botsotso publishers and botsotso poetry
performers as botsotso jesters.
i met isabella while a stage manager in a workshopped
play about life in theatre…pimville of the early sixties…
gangsterism, music and social politics of that time even the
tsotsitaal lingo used at that particular times under the title
skom short for skomplaas that is emzini…at home…during
tea time and lunch time we would be discussing creative
writing that is poetry and state drama performance
complementing each other she became my soulmate and
told me to throw away my walking stick which i used to
keep my body upright while struggling with the force of
gravity since my permanent brain fracture blow i suffered
in 91 jeppe street jozi, i wrote her a poem…my better
half…
she also told me of her sad story. she told me she won’t
live long because of her stomach ulcer complication. she
told me her mother took her to a family planning clinic for
sterile and birth control while she was a young school kid
for fear of unwanted pregnancy she told me her tubes got
blocked and that led to her life threatening situation…
stomach sore pains which would finally take her life.
to me she was such a strong sister soldier and fi ghter who
does not easily bow down to minor pains then she would
curl up in bed next to me giving me squeaky sound of
ehchu…farting and laughing hysterical when i ask her why
was that she would tell me the pain is gone out with the
fart we would both laugh hysterical…while she continues
to fart i would hold her kiss her and then ask her what
she would love to drink before and after meal as a wash
down she would tell me she is tired of drinking white water
that is milk sugar and hot water as her one and only tea
she would love to drink beer and be merry waya waya to
entertain the mass of poetry lovers with a beer in a hand
drinking like nobody’s business and with our own creative
writing coming home with raving reviews.
i could now remember vividly she wrote sink a shaft
before a beer bottle while we were rehearsing poetry and
spontaneously collectively creating and recreating folk
songs that would go along with the poetry in grahamstown
poetry festival performance…since 1993 to 98 after an
evening performance we would go to the nearest wimpy
bar or favourite pub to rewind chanting poetry brainstorming
and discussing possible channels for our creative
eff ort and going to sleep after hours sure no matter how
much drunk we could be that we wake up on time to take
a shower or a warm bath.during our collective effort she
would come up with melody and then we would sit down
jointly work on the lyrics and finally write down the folk
songs for example vulani song, bonang wee, bantwana
song written and recorded in the 1998 performance
poetry festival video grahamstown with isabella in rhodes
university video title jikeleza train…
isabella motadinyane was a born genius she went as far
as grade 5 at school…highly spiritual person chosen by
her ancestors to serve them as a sangoma to be… if you
argue or disagree without any valid reasonable point …
uyadoya you fail dismal she would put you to shame and
prove you wrong on the spot and make you feel stupid she
does not care whether you are white or black makhulu baas
or top shayela…academic brat at school she memorized a
narrative from the unknown author “the extract from the
dangerous ground,” which could beautifully chant word
for word with such a marvellous understanding to me. she
was extraordinary singer, dancer, poet, actress, performer,
a unique soulmate and we used to influence each other
in one way or the other at times we could stay away from
drinking for six to seven weeks period during that time
facing the harshness of life reality…
sober-minded in pains she would come to me and say that
there is something which is running from her stomach to
her throat and choking her making it difficult for her to
breathe…and you could see her hopeless pale face and
that she is in a pensive mood and losing weight and then
she would go on for weeks praying and taking instructions
from her ancestors consulting with christian prophets
sangomas friends for advice then slowly she would regain
her weight and her face looking brighter she would come
up with those ehchu…ehchu sound farting and we would
both laugh hysterical that the pain is gone out with the fart
then we would resume our eat and drinking spree when
she is good and ready in her pretty mood with her strong
spiritual belief she would say to me amongst her ancestors
she is guided by three outstanding characters, a christian
prophet, a sangoma and an aggressive dumb founded
instructor who facilitates messages amongst christian
prophets and sangomas…the dumb founded character
usually visit her when she is on a beer drinking spree and
also come in on special visit or a call to deliver and facilitate
an assignment amongst people she used to work with
practice or help or assist she could not charge on her own
accord her patients she could only go along with what they
give her as long as at the end of the day she could afford
a beer to console herself and rejoice. and that used to
make me feel sad and disoriented because even people in
the arts in the creative writing and poetry performances
people just want to be entertained mahala free bees they
just don’t feel like paying or buying products of the arts
they don’t care what you eat at the end of the day or how
you make a living – they just don’t have respect for our
creative efforts as artist and that is why we perish in vain
and so poor wihout anyone who cares a damn at the end of
the day jikelele…
Mboneni Ike Muila’s first poetry performances were between 1988 and 1990 with the Madimba music students at the Soyinkwa Institute of African Theatre in Soweto. Since then he has performed at numerous festivals such as Grahamstown, Arts Alive, Herman Charles Bosman, Berlin International Poetry and Cambridge Contemporary Poetry.
In 1998 he recorded a poetry performance video titled ‘Jikeleza Train’ in collaboration with New Coin and ISEA at the Grahamstown Poetry Festival. In the same year he won a poetry translation award from the English Academy of Southern Africa.
His poetry is featured on the cds Purple Light Mirror in the Mud (2001) and Roots and Branches (2007); his other publications include WE JIVE LIKE THIS (1996) and DIRTY WASHING (1999) – these being compilations of group and individual work with the Botsotso Jesters. The most recent solo collection of his work (which includes his drawings and a cd recording) is GOVA (2004).
A member of the Botsotso Jesters poetry performance group, he is presently on the editorial board of the Botsotso Publishers Collective.